How Much To Charge For Independent Film Makeup
Know Your Worth — What Your Peers Charge for Commercial Film Productions
I have seen a lot of producers trying to hire moving-picture show crew in Los Angeles for sub-standard rates so I got the thought to compile together a list of rates based on discussions that I've seen in diverse individual online groups. Equally a director and sometimes producer, I sympathise that budgets can sometimes be limited but I likewise believe in paying fair wages and that you lot get what you lot pay for.
Ultimately, the best style to know what a fair wage is for any department is to look at what their wedlock has laid out for that particular task. Even if it's a non-union shoot, y'all should become paid in the ballpark of the union rate.
These rates are from non-matrimony freelance individuals that piece of work primarily in commercials or narrative moving-picture show. Producers for documentaries, web, and reality TV volition typically try to go much lower rates and sometimes long-term narrative Goggle box or film projects will have a reduced rate. All of these rates are based on a crew that works in the United States in major markets (unless indicated).
For crew positions that require equipment and resource (ACs, HMU, audio, etc), they volition charge an extra kit/gear rate. That rate varies depending on what they own.
I'm missing quite a few crew positions merely as I come beyond rates for other departments I volition update this article. These are all direct quotes from professionals in the industry.
Director
In my feel Manager is between $2500 to $4000, DP is betwixt $2000 and $3500.
Directing normally $5–10kUSD per job flatrate [sic] not including post.
Directors normally get 5–10% of the total budget.
10k a day plus 5k per hour for OT.
Directing rates vary. Sometimes a ten–15% (or more) of budget. Sometimes day rate.
Producer:
800 to 1000 a day
$i,000 a day
Managing director of Photography
$ane,200-$ane,800 (more, depending on the feel/skill).
1.five years as a full time DP $thousand/solar day NYC but I about often get my total rate out of country.
I scale pay with budget, then if I tin get more I'll mostly pay more, upward to $1500/day for a DP
DP rate is $1300/10hr 24-hour interval. I oft go down to $yard.
DP $1200-$1500 due west/ no kit,
I only DP. About 100% narrative. Charge per unit is usually $2k/day. I'll evidence up for $1500, though. Correct now I'g doing a Union $3mil feature for $2k/week. $1500/10 DP charge per unit w rig.
DP -$1200/twenty-four hours — two years of experience
As a DP $1000/day,
$1000USD/day for commercial DOP, normally ask the same for anything with ok to decent budget.
My current request charge per unit as a DP is $1400.
1500/10 excluding OT. This is without gear.
Banana Camera
$700–750/10 as a 1st, and ~$600–700 as a second.
2nd Air conditioning- $500/ten. 1st Air-conditioning- $600/10.
AC — $500/10.
I've been working freelance gigs in Knoxville, TN for 2 years. More often than not camera op or 1st Ac. I commonly don't accept any trouble getting $650/day.
1st Air-conditioning $718 (per commercial rate)
1sr AC 13 years experience $600/ten on average. I get hired a lot to op or run a gimbal as well and then I'k running double duty a lot of the time and that hikes the price up a footling flake. Usually in the $800/10 range.
second ac $350/10. I only take near a years worth of experience as an ac and then my rate is a niggling low
DIT (Digital Technician)
DIT $700 (plus gear, which changes per job in the $500-$1500 range),
$750/10 is common. Lower budgets go to $700/x or /12 depending. Gear is $700-$1200 per day. Loader/Data gets $250-$500/10 and $250-$500 gear.
Steadicam
$1800/10 (with gear)
Steadicam: $2200/10 minus OT
Standard charge per unit for steadi is 1k for op and 1k for gear.
Rate is anywhere from 2600 to 1400 depending upon the chore and what gear o mine is needed
RED EPIC W Bundle and Steadicam Packet ($2500 a solar day)
Drone
At least 1500. If the task calls for a spotter or second op: $3000+
Inspire2 fully loaded with 2 crew starts at $3k/day. Heavy lifters start $4500.
$1500 for a unmarried op setup. If it's complicated enough to require a dissever a cam op, then I charge $2500. This is all for Inspire 2. I basically don't wing my octa any more, just information technology started at about 5k.
$1500 is a adept baseline for an experienced op with good gear. Plenty of people will practice it cheaper, but if you want consistent results from a licensed and insured sUAS Pilot, y'all need to upkeep accordingly.
VFX Supervisor
I accuse $1000 a day + per diem. And I believe I am inexpensive and that is for local shoots. Kit fee is additional.
If you desire ane from [name of a major VFX studio] they pecker $5000 a day
Straight hiring an private, non-union, $1,000-$1,500 a day.
I got $800 a twenty-four hours plus kit fee when I helped out as a data wrangler on [Netflix pic].
Lighting
depends on how big of a coiffure commonly on a commercial 650 gaffer key grip 650 bestboys respectively 600 electrics and grips 550 each, then you gotta rent a grip truck. Theres [sic] another chiliad–4000/ day so lighting that gets really really expensive.
As a Gaffer in SLC anywhere from $500 to $800 all dependent on prep days and equipment.
I try and go for $750 a Day when I know there's Order Prep/Selection Up/Etc that I'1000 non charging for, only information technology usually lands at $600 a day.
For a gaffer, $550–750. For a grip, $450-$550.
Sound
Bay Surface area Sound Mixer — Labor $650/10HR and basic audio kit rental starts at $300 volition scale to $550+ depending on what's needed.
Professional Sound Mixer $600 — $g mean solar day rate, and $350 bag rate 12hr solar day. Every audio mixers rates vary, but retrieve your paying for skilled service.
Typically for a Audio Mixer await $650 for a 10 hr day, past that you button into Overtime. Additionally plan for $300 every bit a starting identify for gear (Recorder, Boom, 2 Wireless, and Hardline to Camera). Sound gear rates are based on the needs of the shoot, $300 is a great starting identify, but anything passed [sic] a basic kit will increase the price. — Henri K. W. Rapp www.henrirapp.com
My current charge per unit for prod audio mixing is $650/day. For myself, and a full kit, it'south around $one,200/day. When I'm doing super basic stuff, it unremarkably comes out to $850–950/twenty-four hours.
Art Department
Depending on the scale of shoot yous tin can go abroad with an Art Ditector [sic] and one Art PA bare minimum. In NYC for a very low budget scripted shoot (non-commercial) you are looking at $400-$650/12 for the Art Director and $225-$250 for the PA. Art PA's typically get paid a bit more than a regular PA because they need more than feel than a set PA and their job is specific.
HMU (Hair/Makeup)
HMU is $550-$1200 including kit fee.
400–600(ish) in my area for makeup. Really depends on what kind of makeup is needed also.
HMUA here, my rates vary depending on the size of the projection $550-$1050 per day
Hair/makeup typically $500–750 day charge per unit for pb and $200–300 per assistant. Plus kit fee. That'southward simply the single day rate. If a lot of pre prep is needed, that's a divide charge
Yous shouldn't be getting beneath $600/10
Hair & makeup creative person: $900 a day (includes kit).
Wardrobe
Wardrobe / Prop Stylist
Print $750 / ten Hr Day
Advertising $1000/ 10Hr Day
It depends on the type of shoot merely for wardrobe: central is $500–2k and $200–400 for banana(s) [sic]. I know union assistants tin can't brand less than $450/solar day, so employ that equally a guide.
Wardrobe & props stylist: $1,000 a day
Production Assistant
In my experience…PA's are $225
I ordinarily encounter PA rates from 175–200 (on the high terminate) in Atlanta. All depends on production and their budget.
I think 175–250 is industry standard with 250 on the high/commerical [sic] end.
Source: https://medium.com/@jeremiahjw/know-your-worth-what-your-peers-charge-for-commercial-productions-f28d9ed739d3
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